The Tragedy of Shirley Uncovers the Survival Status of the Tragic Korean Entertainment Circle

“The Tragedy of Shirley” Uncovers the Survival Status of the Tragic Korean Entertainment Circle
After Shirley’s death, in a statement issued by SM Entertainment, she specially selected a photo of her smile.Shirley mentioned “cyber violence” on the show before she died.The f (x) members were selected after strict trainee training.  Depression?Bad reviews?Discrimination against women?Imperfect star-making system?One month after the death of the former member of f (x), the Korean website abolished the performing arts news function, and the entertainment company introduced a psychological consultant. A month ago, the Korean mainstream and singer who had appeared in films such as “Pirates” and “Reality”, former f (x) combinationMember Cui Xueli died in the Daoist Taoist family in Seoul at the age of 25.According to the statements of Shili’s people about her hypertension and depression, the police initially determined that the cause of death was “extreme choice”.Just two years before Shirley’s death, the male singer of the SM company, member of the SHINee group, Kim Jong Hyun burnt charcoal and committed suicide.  The death of Zhong Xuan and Shirley one after another has caused the current status of Korean idol stars to once again attract the attention of the world.  Shortly after Shirley’s death, Jin Jiongwan, a member of the “myth” ancestor-level idol group created by SM Entertainment, spoke on social media and accused the company of persuading the drug to face the psychological problems of entertainers, lacking benign help and guidance.And Shirley’s past events that required the company to deal with the bad reviews of the Internet were also dug up.This has caused the brokerage company to be put on the cusp of public opinion and become a target.  Therefore, Jie Jie, the founder of ONE Entertainment, who once worked for SM, stated bluntly: “There must be many reasons behind the suicide of an artist, but at present, cyber violence is the most probable, and the Korean network environment is particularly prominent.”Another problem that cannot be ignored is work pressure. Depression does not only exist in the entertainment industry.”Zhang Jing, who has worked in Korean entertainment companies for many years, said: “Ordinary companies also have employees suffering from depression. This is a problem for the entire Korean society. Koreans live more suppressed than Chinese people. They drink alcohol every day until the middle of the night.Leaders do not dare to walk away from employees.As a pillar industry in South Korea, such an idol artist cultivation system that has been developed for more than 20 years and has been highly industrialized, ‘hidden diseases’ must exist, but it cannot replace its success.According to an incomplete statistic, a Korean artist has a high incidence of depression. From 2005 to date, nearly 30 people in Korean entertainment circles have committed suicide due to depression or suspected depression.  Park Jin-hee, the South Korean headquarter who once starred in “The High Girl’s Talk”, “Miyagi” and “Towards the Fire” pointed out in a graduate thesis “Stress and Depression of Actors and Suicide Thoughts” of the Master’s Degree in Social Welfare published by Yonsei University in 2009:There are 38.9% had hypertension and depression, and 40% had suicidal thoughts.The evidence in this paper shows that excessive exposure to private life, bad reviews, biased income, and anxiety about the future are all causes of depression and suicidal impulses for entertainers.  Entertainer Kim Jong-hyun, who is also an SM company with Shirley, burned charcoal in December 2017 and committed suicide. He added in the will: “I can’t overcome it, I hate myself, no matter what I say to myself, I also want to find myselfNo answer . If I were asked why I died, I would say it was because I was tired.”Sherry also confessed that she was facing social phobia and panic disorder in a show shortly before her death, and she had been taking psychiatric drugs for three years because of depression. She said on the show:” Cui Zhenli (Cui Xueli’s original name)) The heart is gray, but outside must pretend to be sunlight.A member of the girl group who kissed Shirley told the media after the accident that Shirley had said many times that she felt “too tired to live.”  In addition to the diagnosed depression patients, there are a lot of entertainers who are suffering from mental stress: Recently, Kim Tae-hyun ‘s former teammate Li Taimin, who debuted in the United States as a member of the new group SuperM, revealed in the interview that he lives under the public ‘s sight and needs timePaying attention to self-management, everything must be careful, making him very hard; in July of this year, the member of the girl group TWICE Nai Nam interrupted the activity because of extreme psychological tension, and the doctor diagnosed it as an uneasy disorder.  The girl group EXID member Hani once wanted to set up a psychological consulting company to provide psychological treatment for idol trainees if the contract expired in a variety show, because “friends who have the same hardship and fun during the trainee period mustCompetition, this reality is too difficult.As a star, these young people must always guard against words and deeds to maintain their public image. The slightest frivolous words and actions will lead to excessive responsibility and even be asked to “apology”. Even falling in love is like a crime., Need to regret to fans.These ordinary people can’t bear the pressure, which was added to these teenagers who made their debut. Under the management of the company, the stage is regarded as their “all the world” children.  Zhang Jing, Artist Director of Sanshang Media, who once worked at a Korean entertainment company and brought in trainees, said: “The world of trainees is always relatively simple, unlike schools and society.These children have not experienced the growth process that normal people should have. From an early age, the agent is helping them to do everything. They do n’t even have too much experience with their classmates. Their psychological endurance can not withstand the wind and rain they need to face after their debut.”The psychologist of a psychological counseling agency interpreted the idol star’s mental state:” The young debutants, who have paid too much attention to the outside world and have not been sufficiently psychologically prepared, have caused them depression and anxiety.These children who should have gained a sense of stability from the collective bond during adolescence have passively grown into adults before they have time to integrate. This is mandatory growth and will cause them to be more prone to psychological problems under strong pressure.At the same time, they lack the time to spend with their families. As a compensation for this sense of deprivation, they will succeed in taking it very seriously. Once the result is not satisfactory, the blow will be doubled.”B cyber violence is waiting to be remedied. In 2013, Shirley publicly disclosed his love relationship with his 14-year-old hip-hop singer Cui Zi in 2013. He pointed out that he used to release himself more, followed by a lot of past” black faces on stage “”KTV cursing people” and “screaming swearing” and other actions.  About 20 years ago, competition in South Korea’s entertainment market has intensified.“发达的互联网技术,为艺人们提供了比20年前更多的展示平台,但不能否认,这是一把双刃剑,作为粉丝文化的‘病态’产物,键盘侠、网络暴力给艺人带There was a lot of damage.”Thinking about the cyber violence that Shirley encountered in her lifetime, Zhang Jing said.  Under some photos posted on social media to promote the “no bra” movement without wearing underwear, you can still see a lot of vicious news of sexual harassment. In the conservative Korean performing arts industry, she dare to say the real idea.Seen as “heretics”.The BBC published an article commenting that Shirley ‘s death was the result of a “venomous fan culture”; the Washington Post reported: “If she really committed suicide, then the agency’s lack of support for entertainers’ mental health and some of the harsh criticism of the fans put huge pressure on the stars.Is the root cause.According to Yonhap News reports, the number of domestic Internet reputation damage cases has tripled in the past six years, but most of these cases have been lost due to difficulties in blame.”When it comes to South Korea ‘s network environment, Jet said bluntly that it is a“ torrent disorder ”, he said:“ Although South Korea is a network real-name system, applying for ID requires real-name authentication, but the name of the ID does not require real-name.Even if you find the source of defamation and defamation, you will find that their wording is “called” according to legend. This kind of statement is difficult to hold accountable.”For the” keyboard man “, Jie Jie can’t conceal the deep feelings of hatred.” They are completely fantasizing according to their subjective ideas, to make a conclusion for a person, and to do this thing with zero cost.”Someone from a Korean entertainment person said:” Because of the high income of artists, some people will be measured by income, thinking that they can accept excessive bad reviews, and put them on the placement board to judge at random.This consciousness needs to be changed.This year can be described as an eventful event in the Korean entertainment industry. The case of YG Entertainment ‘s artist Lee Seung-sang involved in a sex trade case, and SM ‘s former member of TVXQ ‘s Park Youtian ‘s drug-related case have been exposed one after another.Just after Shirley’s death, unfounded speculation about the cause of his death began to spread on the Internet.The Secretary pointed out that this is due to the public’s prejudice against the entertainment industry and entertainment stars, “If you replace the entertainment star with a sports star, what would you think?“Sage continued to add:” Acts involving crimes and crimes are more likely to be found by the artists themselves. There may be conflicts in the company ‘s management, but they are never the cause, ”he said.“ The bad acts are fatal to idol artists.Therefore, from the beginning of the trainee until the debut, the company has always attached great importance to the constraints of its artists.”When it comes to the improvement of the network environment, Jie Jie is somewhat helpless. He believes that this problem is” unsolved “at the moment,” which requires time and process, and requires common progress in various aspects such as public quality, network platform, and regulatory constraints to be resolved.At the same time, from the perspective of the company, it is also important to provide healthy legal assistance to the artists.”After Shirley’s death, relevant institutions in South Korea have begun to rectify the network environment.On October 25, Congressman Park Shin-sook, who served on the Science and Technology Information and Communication Committee of the Korean National Assembly, submitted a piece of evidence that reads: “Internet use promotion, information protection, and other relevant legal part corrections.”Establish a recognized authority to control and delete online malicious messages.On the same day, the Korean search portal DAUM also announced that it would abolish the message function of performing arts news and delete the search keywords for related characters.The promotion of the regulations and the improvement of the functions of the network platform have taken an important step in suppressing cyber violence.  C. Patriarchal society severely blames women for Shirley ‘s death. Hong Kong ‘s “South China Morning Post” described Shirley as a “feminist fighter” in South Korea. The article commented: “Shery, as a woman, hopes to have her own freedom of dressingHowever, she clashed with the so-called correct image as a top star. She faced her criticism directly on the show, defended women ‘s rights, and issued a feminist voice in an overly conservative Korean society. It was rare to face criticism.Fearless female artist.Shirley ‘s rebellion, and the accompanying negative comments, precisely reflect the severe blame on women in Korean society, which is deeply patriarchal.”Coincidentally, this year’s fire in South Korea sparked the popular discussion” Jin Zhiying, born in 1982 “, which showed the injustice and prejudice encountered by women in Korean society.The film of the same name, adapted from the film, was also released in South Korea at the end of last month.South Korean President Wen Jae-yin once recommended this book, “I hope that 10 years later, we can stop letting Jin Zhiying born in 1992 in despair.”However, unfortunately, Shirley eventually had another Jin Zhiying. Jin Zhiying in the book only suffered from mental illness, and Shirley gave her life.  In fact, in the Korean entertainment industry, the harshness of women is more serious.Jie Jie said that some people are among the idol artist crowd, “According to male artists, female artists are more vulnerable to cyber-violent attacks.When commenting on the death of Shirley, media outlets such as South Korea ‘s JTBC TV station mentioned Jin Mingchun, the poet who was also the first female novelist who also suffered from public opinion a hundred years ago.In the 1920s, referring to her works, people were more concerned about the rumors and speculations about her.Her prostitute mother was ridiculed, and even the famous Korean modern writer Kim Dong-jen disparaged the heroine as “a numbness of the concept of chastity and no shame” in her novel “Jin Yan Shi Zhuo” based on Jin Mingchun.  Unbearably insulted and insulted, Jin Mingchun once brought the villains who slander himself to court, but they all ended in nowhere.In her poem “The Last Words”, she likened her country of life to “the ferocious land.”  D. The “star-making” system lacks humanity. When referring to “trainees”, it will naturally be prefixed with South Korea.As the three largest K-POP entertainment companies in Korea, founders of SM Entertainment, JYP Entertainment and YG Entertainment, Li Xiuman, Park Zhenying and Yang Xianshuo believe that through systematic training, idol artists can be copied, thus opening up the cultivation of Korean idol artistsThe prelude of the system gradually moving towards a high degree of industrialization.  In fact, the competitive pressure in Korea’s entertainment star-making system exists in any industry, but it is relatively cruel.Mr. Jie, who currently trains trainees in China, points out the common problems of Korean entertainment companies: “The Korean trainee system is not user-friendly and fully adheres to the top-down corporate culture. The decision of the upper level, the lower level must be implemented, and there is a lack of communication. We are inDomestic trainees also focus on improving this aspect.”The director of a well-known planning company in South Korea believes that SM has an inescapable responsibility for Shirley’s death:” SM who experienced a grief (Zhong Xuan’s suicide) should pay more attention to Shirley who has already experienced symptoms of psychological problems.It is still a dangerous practice to call her to participate in “Night of Bad Comment”.”In the past few years, many people thought that the suicide of idol artists is a personal problem, but recently,” Creation 101 “and other talent shows have emerged in an endless stream. More and more young artists have become famous, thinking that entertainment companies need to take care of the mental health of artists.The voice of responsibility grew louder.  After Jonghyun’s death in December 2017, several large entertainment companies in South Korea took the lead in preparing a response plan.They cooperated with the university hospital.Initially set up a spiritual counseling project to provide psychological counseling for artists.However, because the artist’s schedule is too much, it is difficult to coordinate with the doctor’s time, so it has not achieved good results.  It is clear that some entertainment companies have started dating counseling professionals, and the vice president of an entertainment company said: “Recently hired a professional psychological counselor to accept the voluntary counseling of artists.Although the company will only blindly urge trainees and entertainers, the consultant will fully resonate with them and give comfort, and the feedback is not bad.”Professional psychologists also proposed that the education of the mental health of the brokers and staff around the entertainers and the family, prevention of high-risk groups and early detection are equally important.As the chief executive of the entertainment company, Jie Jie also believes that the artists must be aware that the company is standing with them, “Never let them feel helpless.”From” trainees “to” national idols “SM Entertainment was officially founded in 1995 as the first music company in South Korea, and the following year launched South Korea’s first idol boy group H based on K-POP combination model operation.Oh T, and in the following two years, YG Entertainment and JYP Entertainment were established.  The vertically integrated artist management system of the three major Korean K-POP entertainment companies is generally composed of selection, training, production, and management.The pressure of trainees comes from the conversion of “training”, and the idol artists who have already debuted still have to face brutal market competition.  Selection Selection is a regular draft event to screen potential newcomers for the company.It is rare to be able to become a formal trainee through public selection. Every year, more than 300,000 people worldwide participate in SM entertainment draft events, and the cumulative number of participants currently exceeds 4.5 million.The selection process is very cruel and strict. Only no more than 10 of the 300,000 candidates each year have the opportunity to enter SM Entertainment.Han Geng, who later made his debut as a Super Junior member, was replaced by SM in the competition with a final ratio of 3000: 1.  Signing According to Zhang Jing, the included trainees will sign the contract with the company. “In the training stage, trainees do not need to pay the company. The company will bear the cost of food, housing, classes, and even medical treatment.”The pressure that the trainees have to bear is basically from the heavy training courses and the fierce competition for the few debut opportunities.  The three major training companies have formulated strict work and rest systems and training plans for trainees. They must not only strengthen vocal and dance training, but also accept acting, foreign languages, speaking art, etiquette, and self-management in accordance with the company ‘s goal of creating a perfect star.And other comprehensive training.Before the debut of each of the three major companies, the total investment for each member exceeded RMB 1 million.  Testing The three major companies arrange various skill assessments every week, compose the trainees who are most likely to debut into a combination to practice together, and then select the suitable members from which to debut.Trainees usually have about five years of training before they debut, and some even train for up to 10 years.This aspect tests the endurance and confidence of the trainees, and also reflects the stringent standards of Korean entertainment companies for their debut.  Proportion Judging from the debut ratio, the number of SM Entertainment trainees has remained at around 150 all year round, but there are only a dozen entertainers who debut each year.For example, the members of the TV group Dongsheng Shenqi and Super Junior that are popular all over Asia are basically at the same time. At that time, there were about 30 trainees training and competing together, and finally only 18 people from two groups debuted.  There are many trainees who can’t stick to the way of “default” and switch to small companies. Zhang Jing said: “The elimination rate will be more than half during the training phase. Some have been practicing for seven or eight years, and there are two ways for trainees who are getting older.You can choose, one is to give up completely, and the other is to choose to transfer to a smaller company. The trainees of large companies generally have good basic skills. Small companies are willing to ask for it, and small companies are relatively easy to debut.However, both of these options involve the problem of “default”. The company may require you to pay a compensation amount, but it may also not be used. It depends on the results of personal negotiations with the company.”Debut is to” pay back “. For the idol artists after their debut, the pressure is not perfect. The first thing they face after their debut is to” pay back “to the company.Zhang Jing believes that this may also be a manifestation of the so-called “company squeeze artist”: “At that time, our company will give trainees 200,000 (won) pocket money every month, instead of the income of trainees, it needs to be booked and repaid.The company needs you to settle the account after you debut, and then the artists can make money. Even like Super Junior, they are very poor in the first two years of their debut, because they need to repay the account first.And the incomes announced during the trainee stage will basically be offset.”Author / Sona Reference: Wang Cong,” Hanyu Economics “, published in 2015

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